Performed by and written in collaboration with violinists, Nicolas Acons and Jim Walker.

A site-specific performance using the natural resonant frequencies of the room to manipulate the behaviour of sounds and the audiences’ experience of them. Using the unique way in which sound behaves in the space, the piece envelopes the audience within pulsing, ringing and humming sounds of resonance and reverberation.

Playing the acoustics of the room as an instrument, creating notes and sounds that are not played on instruments, but by the room itself, the sound takes on a tactile quality using the space to generate pulsing and ringing overtones weaved throughout a hypnotic musical performance.

Originally a site-specific performance, when the 5.1 recording of the piece is played in other locations it transfers all of the acoustics of the original venue to those spaces, bringing resonance to dampened rooms and space to small environments.